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which makes theconstruction and gathering the waist easy but when tryingon felt like inner side wou

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underwear century 18th


18th Century Underwear



 which makes theconstruction and gathering the waist easy but when tryingon felt like inner side would slip downwards too easily. Iended up adding pieces of the first white material Ifound. It was considerably lighter so it didn't add anyextra bulk on the already heavy waist. I had bit of astruggle to get the heavy



The most important part of 18th century underwear are of course the stays. But apart from them, a girl also needs so many other linen pieces and skirt supports...
 





Shift, 2008

Underneath the stays is worn a knee-length shift (aka chemise). For my first one I chose a fine cotton batiste for the material. Linen would have been the more probable choice when considering accuracy, but cotton was used too, though it was often more expensive. My reason for choosing this is that I love the softness of this particular fabric, which I have used before on other garments.

The basic pattern is from 
the tutorial of La Couturiere Parisienne.

The shift is constructed mostly with french seams, the underarm gussets are inserted with flat felled seams. There is no machine stitching visible in the outside, but I didn't have enough patience at this point to make as much of the work by hand as with a shirt for Jarno which I did later.

The neckline is turned with a bias-cut strip of the same material, with a narrow lace attached in the seam. Not terribly period, I'm afraid, but neat and handy. The lace in the elbow ruffs is quite modern too, but I may replace it if I'll come across a better one. The ruffles are gathered into a band which is basted to the armband of the chemise.

On the first sight the pattern seemed very wide, but as the material is thin it works very well.
 

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Shift, 2012


A fresh shift in sometimes needed, so one needs to have several. My second shift is made of fine linen. I needed one without lace to wear with more simple clothes. The lace cuffs in the first one are in theory removable, but the lace in the neckline is not.

With my first shift I learned that stays somehow pull it up a bit, and I have heard many, many jokes about my indecently short shift. The second one is a bit longer, though still very short by period standards.

This time I used hand-finished flat felled seams, as I got so enthusiastic about their neatness when making Jarno's shirts. The neckline is finished with a narrow hem though which a ribbon is threaded to pull it in.

The sleeves in my first shift were a bit too long, so I cut them shorter this time. They are gathered into a 1cm wide band.

 

 which makes theconstruction and gathering the waist easy but when tryingon felt like inner side would slip downwards too easily. Iended up adding pieces of the first white material Ifound. It was considerably lighter so it didn't add anyextra bulk on the already heavy waist. I had bit of astruggle to get the heavy

 






Habit shirt, 2010

Habit shirt is a special shirt worn under a riding habit. Like a men's shirt it has high neck, collar and long sleeves. Unlike the normal shift a habit shirt is worn over a corset.

The model for my habit shirt is a museum piece portrayed in C. Willets and Phyllis Cunningtons "The History of Underwear", dated c. 1780. The book gives measurements for the extant garment, which I have altered to fit me.

The short back of the shirt is gathered at the center. The front is longer, and tapes at the side seams are tied in the front to keep it in place. The shirt opens at the front, which makes dressing much easier.

I sewed the seams with machine but flat felled them by hand, and also made all the gathering and hemming by hand. I also made the Dorset thread buttons on plastic rings. A good tutorial for making them can be found here.
 

 which makes theconstruction and gathering the waist easy but when tryingon felt like inner side would slip downwards too easily. Iended up adding pieces of the first white material Ifound. It was considerably lighter so it didn't add anyextra bulk on the already heavy waist. I had bit of astruggle to get the heavy


 
In case someone else of about my size should need measurements for a habit shirt, I'll add them here. They are altered from the original, so it's my interpretation of how the garment should fit. Measurements include 1cm seam allowances unless the finished measurements are given instead.

Body: width 60cm, lenght 70cm.

Shoulder line 32cm measured up from the back hem.

Cut the neck slit leaving 12cm on both edges. Insert 6cm (4cm finished) wide shoulder piece and a 8x8cm neck gusset like in a men's shirt. The finished shoulder lenght will thus be about 16cm.

The remaining neck slit can be curved at the front, the cut away being 3cm deep at the front edge. This is not period correct but works better, but if you want to be period skip this. The back is not lowered. Gather the back of the neck (between the gussets) to about 13,5cm, and the rest to match the collar lenght. My finished collar is 38cm long (including the scanty buttoning allowance) and 5cm high.

 

 which makes theconstruction and gathering the waist easy but when tryingon felt like inner side would slip downwards too easily. Iended up adding pieces of the first white material Ifound. It was considerably lighter so it didn't add anyextra bulk on the already heavy waist. I had bit of astruggle to get the heavy


 
Cut the neck ruffles  7x42cm, gather to 21cm down from the collar.

The center of the back hem between 13cm from each side is gathered to 21cm, the finished back width thus becoming 47cm. The side seam under the gussets is about 2cm, add here ribbons which will be tied in the front.

The underarm gussets are 15x15cm.

The sleeves: 62x36cm. The side slits: 7cm. The cuff widht (finished) 2cm, lenght your wrist circumference + ease + seam allowance + buttoning allowance. The ruffle, 6x60cm, is gathered between the the cuff top and underside and at the slit the gathering is covered with a band of linen.


 

 which makes theconstruction and gathering the waist easy but when tryingon felt like inner side would slip downwards too easily. Iended up adding pieces of the first white material Ifound. It was considerably lighter so it didn't add anyextra bulk on the already heavy waist. I had bit of astruggle to get the heavy


 




There is an even better way to make your waist look small than just lacing it tigh: Make sure your skirt is big! The big skirt and a nice optical illusion about tiny waist is achieved with padding and hoops.


(The Bum Shop, 1785)
 

 which makes theconstruction and gathering the waist easy but when tryingon felt like inner side would slip downwards too easily. Iended up adding pieces of the first white material Ifound. It was considerably lighter so it didn't add anyextra bulk on the already heavy waist. I had bit of astruggle to get the heavy

 




Bumroll, 2009

My first 18th century dress was  an Robe l'Anglaise, which did not have the wide hoops characteristic of mid-century  underneath it any more. At first I though that would save me the trouble of making any kind of skirt support at all, my not so slender hips and petticoats being enough. But when I tried on my under-petticoat and the petticoat of the skirt, I experienced something new: For the fist time in my life I thought my bum was looking too small.

The period solution looked somewhat like the picture on the right. Mine is stuffed with polyester padding instead of cork, though, and machine-sewn completely, and in a way that does not bear closer inspection, too. I was in a hurry to get on with the dress project...

 which makes theconstruction and gathering the waist easy but when tryingon felt like inner side would slip downwards too easily. Iended up adding pieces of the first white material Ifound. It was considerably lighter so it didn't add anyextra bulk on the already heavy waist. I had bit of astruggle to get the heavy

 

 which makes theconstruction and gathering the waist easy but when tryingon felt like inner side would slip downwards too easily. Iended up adding pieces of the first white material Ifound. It was considerably lighter so it didn't add anyextra bulk on the already heavy waist. I had bit of astruggle to get the heavy


 





Quilted bumroll cover, 2012



On my next polonaise I wanted an even bigger skirt, so at first I was going to make a bigger bumroll. Then I got the idea to try the polonaise over my old bumroll and my quilted petticoat, which together gave it a lovely puffy look. Then I began to wonder if the quilted petticoat would bee too hot in a ball. I ended up finding a haf-way solution, the idea stolen from Demode Couture (scroll the page down.)

On the fabric store there happened to be a remain piece of quilt just the size I needed, and it was even in pretty pink gingham. As I was in a hurry I abandoned all concerns of period-correctness and finished the edges with overlock. I sewed a strip of old sheet on the top to avoid too much bulkiness at the waist, and pleated it on a waistband. The waistband has loops at the front corners through which the ribbon ties in the bumroll are threaded. To further stabilize it I added ties at the back and corresponding loops on the bumroll.
 

 which makes theconstruction and gathering the waist easy but when tryingon felt like inner side would slip downwards too easily. Iended up adding pieces of the first white material Ifound. It was considerably lighter so it didn't add anyextra bulk on the already heavy waist. I had bit of astruggle to get the heavy

 
The quilted bumroll cover is brilliant, as it gives the skirt nice added volume and is nevertheless easy to pack, which is always a concern as the re-enacting events tend to happen far from home.



 which makes theconstruction and gathering the waist easy but when tryingon felt like inner side would slip downwards too easily. Iended up adding pieces of the first white material Ifound. It was considerably lighter so it didn't add anyextra bulk on the already heavy waist. I had bit of astruggle to get the heavy

 

 which makes theconstruction and gathering the waist easy but when tryingon felt like inner side would slip downwards too easily. Iended up adding pieces of the first white material Ifound. It was considerably lighter so it didn't add anyextra bulk on the already heavy waist. I had bit of astruggle to get the heavy

 





Pocket hoops, 2008 / 2010

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